PADMASANA
PADMASANA IS TRADITIONALLY REGARDED AS ONE OF THE BEST POSTURES FOR PRANAYAMA AND PRATYAHARA AS IT ALLOWS THE BODY TO BE HELD COMPLETELY STEADY FOR LONG PERIODS OF TIME. AS THE BODY IS STEADY FOR LONG PERIODS OF TIME.
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AS THE BODY IS STEADIED, THE MIND BECOMES CALM AND GIVES A FIRM FOUNDATION FOR CONCENTRATON. PADMASANA DIRECTS THE FLOW OF PRANA FROM MOOLADHARA CHAKRA IN THE PERINEUM TO SAHASRARA AT THE CROWN OF THE HEAD, HEIGHTENING THE EXPERIENCING OF MEDITATION.
THE ASANA IN THIS CHAPTER CLEAR PHYSICAL, EMOTIONAL AND MENTAL BLOCKS, HELP AWAKEN THE ENERGY CENTRES OF THE BODY AND INDUCE TRANQUILLITY.
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THEY INCREASE THE ABILITY TO SIT IN PADMASANA FOR EXTENDED PERIODS OF TIME AS REQUIRED FOR ADVANCED MEDITATION PRACTICES, BUT SHOULD NOT BE PRACTICED BY PEOPLE WHO CAN ALREAY SIT IN PADMASANA WITHOUT THE SLIGHTEST DIFFICULTYOR STRAIN.
YOGA MUDRA
PRACTICE
- SIT IN PADMASANA AND CLOSE THE EYES.
- RELAX THE BODY FOR SOME TIME, BREATHING NORMALLY.
- HOLD ONE WRIST BEHIND THE BACK WITH THE OTHER HAND.
- INHALE DEEPLY.
- WHILE EXHALING, BEND FORWARD, KEEPING THE SPINE STRAIGHT.
- BRING THE FOREHEAD TO THE FLOOR OR AS CLOSE AS IS COMFORTABLE.
- RELAX THE WHOLE BODY IN THE FINAL POSITION, BREATHING SLOWLY AND DEEPLY.
- BE AWARE OF THE PRESSURE OF THE HEELS ON THE ABDOMEN.
- STAY IN THE FINAL POSITION FOR AS LONG AS IS COMFORTABLE.
- DO NOT STRAIN THE BACK, ANKLES, KNEES OR THIGHS BY FOCING THE BODY INTO THE POSTURE OR STAYING IN IT FOR TOO LONG.
- SLOWLY RETURN TO THE STARTING POSITION.
- REPEAT THE POSE WITH THE LEGS CROSSED THE OTHER WAY AROUND.
BREATHINGINHALE SLOWLY AND DEEPLY IN THE STARTING POSITION.EXHALE WHILE BENDING FORWARD.BREATHE DEEPLY AND SLOWLY IN THE FINAL POSITION.INHALE WHILE RETURNING TO THE STARTING POSE.
AWARENESSPHYSICAL - ON THE BACK, ABDOMEN OR BREATHING.SPIRITUAL - ON MANIPURA CHAKRA.
INDICATIONPEOPLE WITH SERIOUS EYE, BACK OR HEART CONDITIONS, OR WITH HIGH BLOOD PRESSURE, AND THOSE IN THE EARLY POST-OPERATIVE OR POST-DELIVERY PERIOD SHOULD NOT ATTEMPT THIS ASANA.
VARIATIONTHIS VARIATION FOLLOWS THE SAME METHOD AS THE BASIC TECHNIQUE EXCEPT THAT INSTEAD OF REMAINING IN THE FINAL POSITION, THE BODY IS RAISED AND LOWERED A NUMBER OF TIMES.IT IS PARTICULARLY USEFUL FOR THOSE WHO ARE STIFF AND CANNOT TOUCH THE FLOOR WITH THEIR FOREHEADS. SYNCHRONIZE THE MOVEMENT WITH THE BREATH.
- SIT IN PADMASANA AND RELAX THE WHOLE BODY.
- CAREFULLY BEND BACKWARD, SUPPORTING THE BODY WITH THE ARMS AND ELBOWS.
- LIFT THE CHEST SLIGHTLY, TAKE THE HEAD BACK AND LOWER THE CROWN OF THE HEAD TO THE FLOOR.
- HOLD THE BIG TOES AND REST THE ELBOWS ON THE FLOOR.
- ADJUST THE POSITION FOR THE HEAD SO THE MAXIMUM ARCH OF THE BACK IS ATTAINED.
- RELAX THE ARMS AND THE WHOLE BODY, ALLOWS THE HEAD, BUTTOCKS AND LEGS TO SUPPORT THE WEIGHT OF THE BODY.
- CLOSE THE EYES AND BREATHE SLOWLY AND DEEPLY.
- RETURN TO THE STARTING POSITION, REVERSING THE ORDER OF MOVEMENTS.
- REPEAT THE ASANA, WITH THE LEGS CROSSED THE OTHER WAY.
BREATHINGBREATHE DEEPLY AND SLOWLY IN THE FINAL POSITION.
AWARENESSPHYSICAL - ON THE ABDOMEN, CHEST, NECK AND HEAD OR BREATH.SPIRITUAL - ON MANIPURA OR ANAHATA CHAKRA.
INDICATIONPEOPLE WHO SUFFER FROM HEART DISEASE, PEPTIC ULCERS, HERNIA, BACK CONDITIONS OR ANY SERIOUS ILLNESS SHOULD NOT PRACTICE THIS ASANA. PREGNANT WOMEN SHOULD ALSO NOT ATTEMPT IT.
NOTESIT IS IMPORTANT THAT THE BODY IS SLOWLY LOWERED INTO AND RAISED FROM THE FINAL POSITION BY USING THE ELBOWS AS A SUPPORT. THE MOVEMENT SHOULD BE PERFORMED WITH CONTROL AND CARE IT IS VERY EASY TO INJURE THE SPINE.
VARIATION 1THIS VARIATION FOLLOWS THE BASIC TECHNIQUE EXCEPT FOR THE POSITION OF THE HANDS.INTERLOCK THE FINGERS OF BOTH HANDS.PLACE THE HANDS BEHIND THE HEAD AND REST THE BACK OF THE HEAD IN THE OPEN PALMS.
VARIATION 3STRETCH BOTH LEGS STRAIGHT IN FRONT OF THE BODY.LEAN BACKWARD, USING THE ARMS FOR SUPPORT, AND REST THE TOP OF THE HEAD ON THE FLOOR.ARCH THE BACK AND PLACE BOTH PALMS ON THE THIGHS OR LET THEM REST ON THE FLOOR.AS AN ALTERNATIVE, THIS CAN BE DONE FROM THE LYING POSITION.RETURN TO THE STARTING POSITION AFTER SOME TIME IN THE FINAL POSITION.
- ASSUME PADMASANA.
- PLACE THE HANDS ON THE FLOOR IN FRONT OF THE KNEES.
- LEANING ON THE ARMS, RAISE THE BUTTOCKS AND STAND ON THE KNEES.
- SLOWLW LOWER THE FRONT SIDE OF THE BODY TO THE FLOOR IN THE PRONE POSITION.
- REST THE CHIN ON THE FLOOR.
- PLACE THE PALMS TOGETHER BEHIND THE BACK.
- THE FINGERS MAY POINT DOWNWARD, OR UPWARD IN HAMSA MUDRA.
- IF POSSIBLE, TOUCH THE BACK OF THE HEAD WITH THE MIDDLE FINGERS.
- CLOSE THE EYES AND RELAX THE WHOLE BODY.
- RETURN TO THE STARTING POSITION, CROSS THE LEGS THE OTHER WAY AND REPEAT THE ASANA.
AWARENESSPHYSICAL - ON RELAXATION OF THE WHOLE BODY AND MIND, AND ON THE BREATH.SPIRITUAL - ON ANAHATA CHAKRA.
BENEFITSTHIS ASANA HELPS TO CORRECT POSTRUAL DEFECTS ON THE SPINE AND SO IS USEFUL IN ACHIEVING A PRODUCTIVE MEDITATION POSTURE.IT MAY BE USED AS A RELAXATION POSE AS IT INDUCES PEACE, STABILITY AND EMOTIONAL BALANCE.
- SIT IN PADMASANA.
- TAKE THE ARMS BEHIND THE BACK AND CROSS THEM.
- EXHALE, LEANING FORWARD SLIGTLY, AND REACH FOR THE RIGHT BIG TOE WITH THE RIGHT HAND AND LEFT BIG TOE IN THE LEFT HAND.
- IF IT IS DIFFICULT TO GRASP THE TOES, STRETCH THE SHOULDERS BACK SO THAT THE SHOULDER BLADES ARE BROUGH NEARER TO EACH OTHER.
- HOLD THE BIG TOE OF THE FOOT WHICH IS UPPERMOST FIRST.
- REMAIN IN THE FINAL POSITION FOR AS LONG AS IS COMFORTABLE.
- RETURN TO PADMASANA, CROSS THE LEGS THE OTHER WAY AROUND AND REPEAT THE PRACTICE.
BREATHINGDEEP AND SLOW IN THE FINAL POSITION.
AWARENESSPHYSICAL - ON THE ABDOMEN OR BREATHING PROCESS.SPIRITUAL - ON ANAHATA CHAKRA.
VARIATIONSIT IN BADDHA PADMASANA.INHALE DEEPLY THENWHILE EXHALING BEND FORWARD WITHOUT STRAINING AND TRY TO TOUCH THE FOREHEAD TO THE FLOOR.REMAIN IN THE FINAL POSITION WHILE COMFORTABLE WITH NORMAL BREATHING.INHALE WHILE RETURNING TO THE UPRIGHT POSITION.GENTLY RELEASE.
BENEFITSTHE VARIATION MASSAGES THE ABDOMINAL ORGANS, STRETCHES THE BACK, AND IS USED TO AWAKEN MANIPURA CHAKRA.
- SIT IN PADMASANA.
- PLACE THE PALMS ON THE FLOOR BESIDE THE THIGHS.
- INHALE DEEPLY.
- RAISE THE WHOLE BODY FROM THE FLOOR, BALANCING ONLY ON THE HANDS.
- SWING THE BODY BACKWARD AND FORWARD BETWEEN THE ARMS.
- LOWER THE BUTTOCKS AND LEGS TO THE GROUND.
- REST IN THE SITTING POSITION.
- REPEAT THE POSE WITH THE LEGS CROSSED THE OTHER WAY.
- PRACTICE 3 TO 5 ROUNDS.
AWARENESSPHYSICAL - ON THE STRENGTH OF THE ARMS, CONTRACTION OF THE PERINEAL FLOOR, THE SENSATION OF MOVEMENT AND ENERGY COORDINATED WITH THE BREATH, AND THE BALANCE.SPIRITUAL - ON ANAHATA CHAKRA.
BENEFITSTHE ARMS, WRITS, SHOULDERS AND ABDOMINAL MUSCLES ARE STRENGTHENED AND THE CHEST IS OPENED. IT GENERATES CONTROL AND BALANCE.
- SIT IN PADMASANA.
- INSERT THE HANDS BETWEEN THE CALVES AND THIGHS, NEAR THE KNEES.
- GRADUALLY PUSH THE ARMS THROUGH THE LEGS UP TO THE ELBOWS.
- PLACE THE PALMS OF THE HANDS FIRMLY ON THE FLOOR WITH THE FINGERS POINTING FORWARD.
- KEEPING THE HEAD STRAIGHT AND THE EYES FIXED ON A POINT IN FRONT, RAISE THE BODY FROM THE FLOOR, BALANCING ONLY ON THE HANDS.
- HOLD THE BACK STRAIGHT.
- REMAIN IN THE FINAL POSITION FOR AS LONG AS IS COMFORTABLE.
- RETURN TO THE FLOOR AND SLOWLY RELEASE THE ARMS, HANS AND LEGS.
- CHANGE THE LEG POSITION AND REPEAT THE POSE.
BREATHINGTAKE A DEEP BREATH IN AND RAISE THE BODY.BREATHE NORMALLY IN THE FINAL POSITION.EXHALE WHILE LOWERING.
AWARENESSPHYSICAL - ON THE CONTRACTION OF THE PERINEUM AND THE STRENGTH IN THE ARMS AND SHOULDERS, AND ON THE BREATH IN THE NOSTRILS WHILE MAINTAINING BALANCE.SPIRITUAL - ON MOOLADHARA CHAKRA.
NOTESTHE ARMS AND WRISTS MUST BE STRONG ENOUGH TO SUPPORT THE BODY. PEOPLE WITH A LOT OF HAIR ON THEIR LEGS MAY FIND IT DIFFICULT AND PAINFUL TO INSERT THE ARMS BETWEEN THE THIGHS AND CALVES. APPLYING OIL TO THE LEGS WILL EASE THE PROBLEM. THOSE WITH A LOT OF FAT OR MUSCLES ON THE LEGS WILL ALSO HAVE DIFFICULTY.
- SIT IN PADMASANA.
- INSERT AN ARM BETWEEN THE THIGH AND CALF OF EACH LEG AND BEND THE ELBOWS UNDER THE CALVES.
- FOLD THE ARMS UPWARD AND RAISE THE LEGS.
- HOLD THE EARS, BALANCING THE WHOLE BODY ON THE COCCYX.
- THE EYES MAY BE OPEN OR CLOSED.
- MAINTAIN THE FINAL POSITION FOR AS LONG AS IS COMFORTABLE.
- LET GO OF THE EARS, LOWER THE LEGS AND SLOWLY RELEASE THE ARMS FROM THE LEGS.
- CROSS THE LEGS THE OTHER WAY AROUND AND REPEAT THE POSE.
- THIS ASANA MAY ALSO BE PERFORMED LYING ON THE BACK.
AWARENESSPHYSICAL - ON THE COMPRESSION OF THE ABDOMEN, ON MAINTAINING BALANCE, AND ON THE BREATH.SPIRITUAL - ON MANIPURA CHAKRA.
- SIT IN PADMASANA.
- SLOWLY AND CAREFULLY LOWER THE BACK TO A 45 DEGREES ANGLE WITH THE FLOOR, USING THE HANDS AND ELBOWS TO ASSIT THE MOVEMENT.
- PLACE THE PALMS OF THE HANDS UNDERNEATH THE BUTTOCKS.
- RAISE THE TRUNK AND LEGS SO THAT THE WHOLE BODY IS SUPPORTED ONLY ON THE BUTTOCKS AND FOREARMS.
- PERFORM JALANDHARA BANDHA.
- ADVANCED PRACTITIONER MAY ALSO PRACTICE MOOLA BANDHA.
- REMAIN IN THE FINAL POSITION FOR A COMFORTABLE PERIOD OF TIME WITHOUT STRAINING.
- SLOWLY LOWER THE BODY TO THE FLOOR.
- REPEAT UP TO 5 TIMES.
AWARENESSPHYSICAL - ON THE SENSE OF BALANCE AND TRANQUILLITY AND ON RETENTION OF THE BREATH.SPIRITUAL - ON VISHUDDHI CHAKRA.
BENEFITSTHIS ASANA TONES THE ABDOMINAL ORGANS AND LOWER ABDOMINAL MUSCLES, AND REMOVES EXCESS WEIGHT. IT STRENGTHENS THE BACK, AND ESPECIALLY THE THIGH MUSCLES. IT INDUCES A STATE OF RELAXATION AND EQUANIMITY.
- SIT WITH THE LEGS STRAIGHT IN FRONT OF THE BODY.
- BEND THE LEFT KNEE AND PLACE THE SOLE OF THE LEFT FOOT AGAINST THE INSIDE OF THE RIGHT THIGH SO THERE IS NO CONTACT BETWEEN THE HEEL AND THE PERINEUM.
- BEND THE RIGHT KNEE AND PLACE THE RIGHT FOOT IN THE SPACE BETWEEN THE LEFT THIGH CALF MUSCLES SO THAT THERE IS NO CONTACT BETWEEN THE HEEL AND THE PUBIS.
- GRASP THE TOES OF THE LEFT FOOT AND PULL THEM UP INTO THE SPACE BETWEEN THE RIGHT CALF AND THIGH.
- ADJUST THE POSITION SO THAT IT IS COMFORTABLE.
- THE KNEES SHOULD BE FIRMLY ON THE FLOOR.
- STRAIGHTEN THE SPINE.
- PLACE THE HANDS ON THE KNEES IN CHIN, JNANA OR CHINMAYA MUDRA.
INDICATIONSWASTIKASANA SHOULD NOT BE PERFORMED BY PEOPLE WITH SCIATICA OR SACRAL INFECTIONS.
NOTESTHIS IS THE EASIEST CLASSICAL MEDITATION ASANA AND IS A SIMPLIFIED VERSION OF SIDDHASANA.



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